![]() ![]() Actually, a better mouthpiece absolutely can revolutionize your playing ability. Sure, playing something “normal” is good advice generally, but when it comes to mouthpieces you really do need a good one. Starting at the end of the quote, that last item is really bad advice. ![]() ![]() If the truth be told, no one mouthpiece or change of mouthpiece is going to revolutionize anyone’s playing ability. Be sure the one you choose has no obviously bad qualities make certain it is comfortable on the lips then stick with it until it is mastered. It takes experience to know what “normal” is, but study two dozen different models and you will soon recognize moderation. The best advice about mouthpieces, stated in capsule form, would be this: get a mouthpiece which is generally accepted as “normal” …. Conventional wisdom is sometimes bad adviceĪfter a review of the elements of mouthpieces (bore, cup, rim, etc.) Farkas, with a photo similar to this of five cut away mouthpieces, relates, As this was his starting point, we will also begin here with our extended series of quotations and comments on a variety of topics from master horn teachers. Philip Farkas chose to begin The Art of French Horn Playing with a discussion of mouthpieces and horns. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |